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ДЄuthorized users may be able to access the full text articles at this site. The electronic version of Music Analysis is available at.

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JSTOR provides a digital archive of the print version of Music Analysis. Tone and focus on specific works makes it of interest to the general reader To post-modern times, and has regular articles on non-western music. Music Analysis is eclectic in its coverage of music from medieval Translations of important articles by Adorno, Molino, Ratz, Ruwet and Schenker. Music with music theory, critical theory, music history and the cognitive sciences.ДЇounded in 1982, Music Analysis publishes major orientation articlesД«y respected scholars such as Allen Forte, Jean-Jacques Nattiez, Arnold Whittall,ДЄlan Street, Kevin Korsyn and Jonathan Dunsby. Take forward debates concerning the relationship of technical commentary on

This kind and through its lively Critical Forum, it also aims to Of new writing focused on musical works and repertoires. Music Analysis is the international forum for the presentation This approach sheds a new light on the significance of a seemingly negligible 'coda to a coda'. This energetic ending manifests the persistent struggle between duple and triple rhythmic units, as well as the ambiguity between the perceived metre and the notated metre, by synthesising the two main thematic ideas in a sophisticated metrical framework. This re-examination of the Allegro vivace aims to go beyond the ostensibly deeper element of melody and harmony by focussing on how prominent expository surface details (anacrusis, metre, articulation and texture) are manipulated in the vivace codetta. Yet its peculiar final twist, the vivace codetta, has drawn little analytical comment. 99, is one of the most-analysed works in the tonal repertoire.

in accounting for actual musical experience when dealing with codas than with other sections of the form.' The first movement of Brahms's Cello Sonata in F major, Op. This is perhaps the reason that, as Joseph Kerman writes, 'usical analysts who deal with. In music theory, a coda is generally understood as an appendage or an epilogue to a musical structure.

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